Yvonne Minton, Lucia Popp and Frederica von Stade with the Chorus and Orchestra of the Royal Opera House, Covent Garden, under the direction of Sir Colin Davis. 44) But the end is not yet. Reviewed in the United States on May 1, 2010. Our season subscribers as well as the holders of tickets for this event will be contacted by email. I find the setting just too 'Roman' and lacking imagination and some of the direction and dress produce almost a 'pantomime' effect. Slightly less effective as they are, any dramatic enhancements are an improvement. Vitellia confesses that she is behind the murder attempt, Sesto is sentenced to death. The Clemenza di Tito renaissance continues beautifully, Reviewed in the United States on April 18, 2006. I do recommend this version in spite of my misgivings towards the 'theatrical' aspects because the music comes first. Full content visible, double tap to read brief content. A section of a page from the manuscript of Mozart's Requiem, showing Mozart's heading for the first movement It is a shame that he shortened his life by smoking because we will have less of what he could have created for us. Top subscription boxes – right to your door, © 1996-2021, Amazon.com, Inc. or its affiliates. With Philip Langridge, Diana Montague, Elzbieta Szmytka, Ashley Putnam. The story presents a compelling dramatic situation even if it is a tad old-fashioned, filled with both inner and outer conflict, and while the characters, on paper at least, may seem fairly "stock," Mozart's wonderful music allows them to live and breathe emotionally. About this Piece. One of Mozart’s last operas, La Clemenza di Tito (The Clemency of Titus), is a story of friendship and forgiveness triumphing over jealousy and violence. Stream songs including "La Clemenza Di Tito, K. 621: Overture", "La Clemenza Di Tito, K. 621: "Ma Che? Having just seen the Met cinema production with the gorgeous Elena Garanca, this 1980 version does accentuate the difference between filmed and staged performances. History, itself, becomes a character. In fact, this opera reminds me of Aida in that it looks both backward and forward: backward by returning to a more classical style of storytelling, resembling ancient tragedies and morality plays, but forward in the progress of the music, the way it flows and gives substance and range and individuality to traditional character types, transforming them into multifaceted human beings who force us to feel. Historic, beautiful to look at with superb singing particularly from Troyanos. Following the federal and cantonal directives relating to the fight against the spread of the Covid-19 virus, the Grand Théâtre de Genève is obliged to cancel all performances of the opera La Clemenza di Tito, February 19 to March 3 2021. Ponnell made this a very formal and stilted rather than realistic film of this story. La Clemenza di Tito may harken back to the days of opera seria both in story in structure, but the music is all late period Mozart. La clemenza di Tito Alt ernative. Title Dramma per musica in tre atti Composer Gluck, Christoph Willibald: Opus/Catalogue Number Op./Cat. Titus Vespasian, Emperor of Rome, has succeeded to the throne that his father, Vespasian, usurped from the Emperor Vitellius. One of Mozart’s last operas, La clemenza di Tito (The clemency of Titus), is a story of friendship and forgiveness triumphing over jealousy and violence. Listen to Mozart: La Clemenza di Tito by English Baroque Soloists & John Eliot Gardiner on Apple Music. It was an inspired decision to film the opera in this fashion. There was an error retrieving your Wish Lists. It was filmed on location in Rome at the Baths of Caracalla, the Arch of Titus and at the Villa Adriana in Tivoli from 10 May-16 June 1980 with the sound recording made in Vienna at Wien-Film 6-12 May 1980. Vitellia, daughter of Vitellius, urges her boyfriend Sextus to join the conspiracy against Titus and his consort Berenice. This Jean-Pierre Ponnelle directed presentation has to be an all time great with all the performers giving of their very best. In addition he was in terror of dying, with his fear heightened by the mysterious commission for the “Requiem”. Poprvé byla uvedena ve Stavovském divadle v Praze The choice of libretto had fallen on La clemenza di Tito, an old and highly successful opera seria by Metastasio that had already been set some forty times since Antonio Caldara’s initial 1734 version. Bibliografia. The most famous version is by Mozart. Mozart - La Clemenza di Tito / Tatiana Troyanos, Eric Tappy, Carol Neblett, Catherine Malfitano…. Livestream: La clemenza di Tito Tell a friend. Wolfgang Amadeus Mozart. It certainly held me spellbound from beginning to end. It has been used by nearly 40 different composers. Vitellia hates the Roman Emperor Tito because he has not chosen her as his wife. Pour Mozart, pour Levine, et pour un fabuleux Sesto. Mozart - La Clemenza di Tito / Tatiana Troyanos, Eric Tappy, Carol Neblett, Catherine Malfitano, Kurt Rydl, James Levine. La Clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus) (Redirected from La clemenza di Tito, K.621 (Mozart, Wolfgang Amadeus)) Her hopes of returning to the throne as the consort of Titus have come to nothing because Titus wishes to marry Berenice, the daughter of the King of Judaea. The film's cinematography is beautiful, with most of the film shot at night or in twilight. na českého krále. “ La clemenza di Tito ” by Wolfgang Amadeus Mozart libretto (Italian English) Roman ruins have never looked so stunning: they tower over the singers, as if making an existential statement about the powerlessness of humanity, the essential illusion of power, the historical inevitability of fate. Overcoming that artificiality is one of several attendant difficulties in presenting opera seria to a modern audience. He decides to be merciful and pardons Sesto and Vitellia. Ponnelle favored singers lip synching their arias so that they might concentrate on acting, thus improving the dramatic aspect of opera. It was released in 1977. By portraying the Roman emperor as a humanist, he encouraged Leopold II to follow this virtuous example. Sold by lola's dream and ships from Amazon Fulfillment. beautiful to look at with superb singing particularly from Troyanos, Reviewed in the United Kingdom on November 28, 2015. These are valid criticisms, I suppose, but they should be swept to the wayside, for Tito is a masterpiece in its own right. It seems to work here. La Clemenza di Tito was composed in Mozart's final year; he died in the winter of 1791. Directed by Brian Large. Servilia spurns Tito, who in turn woos Vitellia. Tito wants to marry the sister of his friend Sesto, Servilia. La Clemenza di Tito may harken back to the days of opera seria both in story in structure, but the music is all late period Mozart. La clemenza di Tito (K 621) è un' opera seria in due atti di Wolfgang Amadeus Mozart - uno degli ultimi lavori teatrali del genio salisburghese - musicata su libretto di Caterino Mazzolà, a sua volta basato sul melodramma omonimo di Pietro Metastasio. Clemenza, more than most Mozart operas, relies on lengthy expository recitatives to further the story. Out of this world? It was the last Mozart opera – he had not long to live…, Photo: Austrian Theatre Museum, Vienna / Barbara Palffy, Marrying Constanze and Abduction from the Seraglio, The Obligation of the First and Foremost Commandment. La Clemenza di Tito, KV 621 Opera seria in due atti Musica: Wolfgang Amadeus Mozart (1756 - 1791) Testo: Caterino Mazzolà, da Metastasio Ruoli: Tito Vespasiano, Imperatore di Roma (tenore) ; Vitellia, figlia dell'Imperatore Vitellio (soprano) ; Servilia, sorella di Sesto, innamorata di Annio (soprano) ; Sesto, amico di Tito, innamorato di Vitellia (mezzosoprano) No small praise, since Aida is among the most classically beautiful operas ever written. What can one say about this superb performance filmed well over thirty years ago in ruins of ancient Rome? Ships from and sold by RAREWAVES-IMPORTS. This should have disaterous results, but instead of failing as in theory it should, it is a movie masterpiece. Torn between friendship and reason of state, Tito realises the full extent of the dilemma each ruler finds himself in. And as for the music, there might not be as much of it in this opera, but what music there is is truly breathtaking, from short arias and duets to long winding passages that run the gamut and leave the listener emotionally exhausted; frankly, it is some of the most adventurous music, both vocally and orchestrally, that Mozart ever composed. Share on Facebook; Share on Twitter; Share Jean-Pierre Ponnelle’s dramatic production brings ancient Rome to life for this gripping tale of revenge, terror, and attempted murder. Elīna Garanča (Sesto). Mozart Amadeus Mozart was commissioned to compose the coronation opera for the coronation of Leopold II as king of Bohemia in Prague in 1791 – on a side-note, only after Salieri had declined. We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. Tito wants to marry the sister of his friend Sesto, Servilia. La clemenza di Tito (English: The Clemency of Titus), K. 621, is an opera seria in two acts composed by Wolfgang Amadeus Mozart to an Italian libretto by Caterino Mazzolà, after Metastasio.It was started after the bulk of The Magic Flute, the last opera that Mozart worked on, was already written (Mozart completed The Magic Flute after the Prague premiere of Tito on 6 September 1791). Look not for the high drama that Sir Colin Davis imparts to both finales Mozart: La Clemenza di Tito (Philips Complete Mozart Edition, Vol. In fact, it was regarded by many as a complete flop. Multiple Formats, Classical, Color, NTSC, Subtitled, Import, Eric Tappy, Tatiana Troyanos, Carol Neblett, Anne Howells, Kurt Rydl, Italian, German, Chinese, Spanish, French, English, Italian (DTS 5.1), Italian (PCM Stereo), Unqualified (DTS ES 6.1). Reviewed in the United Kingdom on December 29, 2012. This new production by Bergen National Opera, directed by Rodula Gaitanou, will be streamed live from Grieghallen in Bergen on 15 March at 18:55 CET. Bergman's immortal 'Flute' and Losey's dramatic 'Don Giovanni' show what can be done with the flexibility of film medium. La Clemenza di Tito. Sesto in turn covets Vitellia, who promises her love in return for Tito’s death. La Clemenza di Tito was written as a political propaganda for the Prague coronation of Leopold II as the King of Bohemia to praise the goodness, clemency and wisdom of Leopold II (Waldoff 265-266). In: Letteratura Italiana Einaudi: Le Opere, Vol. Act One Vitellia plots to assassinate the Emperor Titus, whose father, Vespasian, had dethroned her father, Vitellius. La clemenza di Tito (česky: Velkorysost Titova), dříve také Titus, je název korunovační opery Wolfganga Amadea Mozarta z roku 1791.Autorem libreta je Caterino Mazzolà.Opera byla objednána českými stavy a zkomponována ku příležitosti korunovace Leopolda II. Théâtre du Chatelet, Mozart - Don Giovanni / Terfel, Fleming, Kringelborn, Furlanetto, Hong, Groves, Koptchak, Levine, Metropolitan Opera, Mozart - Die Zauberflöte (The Magic Flute). After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. He paused his work on “The Magic Flute” and “The Requiem” to write “La clemenza di Tito” (The Clemency of Titus). The material had been set to music on several occasions, but it would not have been Mozart if he had not created something entirely new. With “La clemenza di Tito”, Mozart did not create a masterpiece such as “Don Giovanni” or “The Marriage of Figaro”, but this work still includes marvellous arias. Stream songs including "La Clemenza Di Tito, K. 621: Overture", "La Clemenza Di Tito, K. 621: "Ma Che? Among the works Mozart produced within the 35th and final year of his life were three operas, each from a different category of the genre: Così fan tutte, an opera buffa (comic opera); The Magic Flute, a Singspiel, or German opera; and La clemenza di Tito, an opera seria — a form in which the characters are usually drawn from ancient history. Having said that, the music is of course absolutely glorious, much of it on a par with 'Cosi' and 'The Flute' and thus some of the most beautiful music ever written. Your recently viewed items and featured recommendations, Select the department you want to search in. Både kor og orkester er vel dirigerede og velspillende. Second, La Clemenza di Tito has an inordinate amount of recitative for a Mozart opera, not enough "real" music. Sempre L'istesso"" and more. Unable to add item to List. Glorious? One, the story and characters, for most audiences at least(although I've personally never been in love with the story of The Magic Flute despite my affection for the music), aren't as engaging as in the other works, there isn't a Figaro or Papageno or Donna Elvira or Despina to be found among the deathly serious characters who populate Titus' royal entourage. The libretto of "La clemenza di Tito" originally by Pietro Metastasio had to be heavily edited for Mozart's setting, which the then Saxon court poet Caterino Mazzolà did Steel engraving, 19 th century Source: Wikimedia. The acting of the singers increases the effectiveness of the opera's drama, making what are admittedly quite artificial opera seria situations more believable. Synopsis: La Clemenza di Tito Select a language to update the synopsis text.
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