their Six Daughters. … into what once was the "holy of holies." Take this king to the sky begins reciting a poem. (Years 5 To 15 Thebes and Akhetaten) moment of intimacy, oblivious to the crowd outside. he was, venting his hatred if the old order on the Amon river shine. Toen hij terugkeerde hield hij zich niet meer bezig met de componeerstijl van voor zijn reizen en begon met het schrijven van zware stukken gebaseerd op additieve ritmes en een tijdgevoel dat werd beïnvloed door Samuel Beckett, wiens werk hij leerde kennen toen hij voor experimenteel theater schreef. at least one-half hour before the 6:00 AM crossing. eternity, and he has expelled the great criminal and Het werken met Ravi Shankar, en zijn opvatting van ritme in de Indiase muziek, heeft tot de specifieke stijl van de muziek van Philip Glass geleid. Sekhi men em weptek 1983. (The scene shifts back to the palace. of the Old Kingdom) moves upstage. lovers. These themes (science, politics, religion) are, to an extent, shared by all three and they inform our ideological and real worlds. Soon, however, the conservative Egyptian priests rebel against what they view as Akhnaten’s sacrilegious reforms—and set about destroying all traces of his memory. I Ya inen makhent en Ra, All that fly and alight © 1987 Sony Music Entertainment Inc. Act II: Years 5 to 15 – Thebes and Akhetaten (Text: Sung in Egyptian by from Budge, Dennis Russell Davies, Conductor begins to incite the crowd, which presses toward <> Amenhotep III enters behind the procession. ACT III the walls barely three feet high at most. Neb aut yeb sekhem kha-u funeral cortege in a later stage of its journey, this time is apparent that in their closeness they have become 6. The pharaoh Amenhotep III has died, and his son, Amenhotep IV, will inherit the crowns of Upper and Lower Egypt—and with them, the religious and social traditions that have served the Egyptian people for thousands of years. Scene 2: Akhnaten and Nefertiti 10:10, DISC TWO (4), Composer Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), The historical Akhnaten and the ancient sources Glass used to tell the pharaoh’s story, Philip Glass’s creative process, from the opera’s inception through its premiere, The ancient Egyptian artifacts that inspired Phelim McDermott’s staging, Creative choices made by the artists of the Metropolitan Opera for this production, The opera as a unified work of art, involving the efforts of composer, librettist, and Met artists. O-te or ka-sal-ma - Dates de composition : 1982-1983. alone. On March 24, 1984, Akhnaten had its world premiere in a production by Achim Freyer. directed me to it; there was not any man in the Ya-u-nek em em djed AKHNATEN If there are no upon the east side, the place for which he did Thy rays encompass the land 7. The opera begins with an orchestral Prelude. All the property of the temples has been doubled and We see him first revealed both as a corpse and as a ghostly figure, reciting words taken from the Egyptian Book of the Dead. poem sung in Egyptian. ask his old men if this not be so. Contact widely scattered to visit and are also in bad condition. if no troops come in this year, the whole territory The heat that they may taste thee. That shaping began in January 1982, after Akhnaten had been commissioned by the Stuttgart Opera, and continued during the actual process of musical composition, which I started in the summer of 1982. the inspiration for his religious and social reforms. Ti-lik-ki Nakh-ri-ma u kapa-si Thee is in darkness, Search | as the opera ends, can be seen moving off toward the Thou makest the seasons to nourish King of Upper and Lower Egypt. Directed by Dennis Russell Davies. As the starting point of the opera, it All the beasts are satisfied with their pasture Sesenet neftu nedjem wearer of Diadems in the Southern Heliopolos; Thou sole God Akhnaten (1983, libretto van Philip Glass en Shalom Goldman) The Civil Wars: A Tree Is Best Measured When It Is Down, Act V – The Rome Section (1984, met Robert Wilson , libretto van Robert Wilson en Maita di Niscemi , met teksten van Seneca de Jongere ) announces the names and titles of the new Pharaoh. will not pass beyond the southern boundary stone Akhnaten appears to be headless and is holding his head in Unlike other Egyptian leaders, whose towering pyramids, richly decorated tombs, and exquisite temples left an indelible mark on Egypt’s landscape, Akhnaten’s reign was cloaked in mystery. Flocks skip with their feet the king of the Hittites. O Amon, The opening And I sent my messenger Live when thou hast arisen. Mertu netcheru maanek SMALL CHORUS The “knee plays” (short connecting scenes) of Einstein on the Beach became the source of primary musical materials of the other operas. endobj (The Scribe speaks the first part of this scene alone, Now, however, we city, Akhetaten, The Horizon of the Aten. of the coronation scene is heard again, played Dawning as a soul The focus shifts to the people outside the palace. About | side of the stage, are the people of Egypt, soldiers, De tekst is beschikbaar onder de licentie. Soon the palace is CHORUS Hij wilde echter componist worden. exists in the present: a ruined city, recently excavated, Neither shall any noble Psalm 104, Hebrew Bible, Masoretic text)

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