Brian Russell creates one of a kind sculptures from cast glass and forged metals. Under Lawrence Anthony's instruction at Rhodes College, Russell began to be fascinated with what his hands could create. The effect of the metal forgings, synergized with the images presented by the vivid glass castings give life to his sculptures. May 26, 2019 - Brian Russell - Glass Artist - Celebration Fine Art Gallery I want people to use my sculpture as an excuse to mentally shift to another level of consciousness, above the daily hubbub, even for a moment, and to reconnect with themselves via that primal, emotional, cortex-controlled spasm of an encounter with an unexpected oasis in a visual desert.On a personal level creating sculpture is an endless connected series of experiments. I draw inspiration from forms and rhythms in nature, ancient artifacts, mathematics and science, distilling these influences into abstract points of intersection.My aim on a public scale is to involve the viewer, to interject into the world points of beauty, interest and spontaneity. His preferred media are cast glass and forged and welded aluminum, bronze and steel. Using the tools and techniques of traditional blacksmiths allowed the shaping of metal into forms matching his creative vision. The creation of objects that exist in three dimensions whose purpose is to stimulate reflection, meditation, awe and amusement is as unique to humans as it is ancient. The result was a forged steel, bronze and copper “Celtic torch”, 17 feet tall, 5 feet in diameter. The metal work gives scale and structure to the glass. Imaginings require research into materials and techniques. His visual vocabulary was derived from his travels, nature and the human form. Jun 13, 2017 - Brian Russell - Glass Artist - Celebration Fine Art Gallery. Producing works for both interiors and the landscape on a residential and corporate scale, Brian Russell draws inspiration from the rhythms of nature, ancient artifacts, mathematics, science and, ultimately, his imagination.
On a personal level creating sculpture is an endless connected series of experiments.
2006 dawned with new explorations into adhesively joining pieces of glass, thus further enlarging the repertoire.2007-    Finely Cast, solo exhibition, Baum Gallery of Fine Art, University of Central Arkansas2006-    Lines and Spheres, solo exhibition, David Lusk Gallery, Memphis2005-    New Sculpture, solo exhibition at Tobin Hewett Gallery, LouisvilleSOFA Chicago, represented by Jerald Melberg GalleryHot Glass in the Blue Grass, Lexington Art League, merit awardFlowers and Vessels, Eleonore Austerer Gallery, Palm Desert, CA, with Roberto AzankThe Art of Contemporary Blacksmithing, Kentucky Museum of Art and Craft, Louisville2004 -   Hemispheres and Gestures, Jerald Melberg Gallery, CharlotteA Glass Act, solo exhibition, Function Art Gallery, Chicago2003 -   Hemispheres, solo exhibition, David Lusk Gallery, Memphis            SOFA Chicago, represented by Jerald Melberg Gallery, Charlotte            Hemispheres, solo exhibition, Tobin-Hewett Gallery, Louisville            New Work, group exhibition, River Gallery, Chattanooga            Earth Space 1, solo outdoor exhibition, Arlington, TNArtForm, West Palm Beach, represented by Jerald Melberg Gallery2002-    Gallery Selections, group exhibition, David Lusk Gallery, Memphis2001-    New Sculpture, solo exhibtion, David Lusk Gallery, MemphisBest of Tennessee Art Competition, Tennessee State Museum, Nashville, purchase award2000-    New Works, group exhibition, David Lusk Gallery, Memphis          Made for Use, invitational, National Ornamental Metal Museum, Memphis1994 -   New Works, solo exhibition, Limn Gallery, San Francisco, CA            National Invitational, National Ornamental Metal Museum, Memphis1993 -   Chicago International New Art Forms Expo, Kurts Bingham Gallery            Introductions, solo exhibition, Kurts Bingham Gallery1992 -   Form, Fantasy, Function IV, Kurts Bingham Gallery            TACA 1992 Biennial, Nashville; Memphis Brooks Museum of Art; merit award.1991 -   Form, Fantasy, Function III, Kurts Bingham Gallery1990 -   Selections from the Metals Museum, Schering Plough Corporation, Memphis            Life Support, One Market Square, San Francisco            The Nouveau Tradition, National Ornamental Metal Museum, Memphis            Recent Works, solo exhibition, Clough Hanson Gallery, Rhodes College            American Craft Council 10th Annual Fundraiser, Christie’s, New York1988 -   House Jewellry II, National Ornamental Metal Museum, Memphis1984 -   Flowers and Art, Dixon Gallery and Gardens, Memphis2006 -   First Tennessee Bank, Memphis, outdoor sculpture            Lark Creek Steak, San Francisco, 30’ long steel and glass sculpture            Cafejian Museum, Minneapolis, MN; purchase of 2 works for the collection.2004 -   The Virtues, Church Health Center, Memphis, TN; 6 piece illuminated aluminum and glass sculptures.2003 -   QHemisphere 22 Sheaf, Tennessee State Museum purchase2002 -   Cerebral Map, sculpture, Rhodes College, Memphis2001 -   The Will to Live, sculpture, Tennessee State Museum, Bell South Collection2000 -   Ceremonial Mace for Rhodes College. Initially focused on glass vessels and fixtures, Russell laid the foundation for subsequent mixed media sculpture. Brian Russell Biography (American, b. | Website created by Concentrating on the human form Russell pursued photography as his primary expressive medium until his introduction to … For the next nine years Russell worked in his studio on Broad Avenue, building everything from fire screens to monumental gates, from sculpture to lighting. Click on the picture to get the details about the piece. Driven to incorporate color into his work, Russell began experimenting with fused glass and pate-de-verre. At this time he began also to build furniture, both of wood and of steel.

The transparency and optical nature of the colored cast glass have an inherent emotional effect that enable the artist to speak quietly, yet powerfully about his ideas on the nature of reality and purity of form. During the next six years, Russell produced an exceptional volume of work, including four commissions for monumental architectural sculptures. Furniture and functional items provided capital for the establishment of his first studio in midtown Memphis in August 1985.


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